'Westworld' Season 4 Reveals That The Past Is Not So Easily Forgotten
The show’s history is repeating itself, a painful reminder that there is no denying a past that continues to reverberate into the present.
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Chase Hutchinson
Chase Hutchinson is a Senior Features Writer for Collider. His work has also appeared in a variety of publications including The Stranger, The Portland Mercury, The Inlander, and The Sunbreak. He lives in Tacoma, WA (it is near Seattle, though still very much its own thing) where he works as a writer and journalist. You can find him on Twitter at @EclecticHutch.
Articles Published : 215
'The Old Man': How Amy Brenneman Turns the Tables on Jeff Bridges
Continuing to prove it is one of the best things on television right now, the show's fourth episode provides an acting masterclass.
How 'Rubikon' Navigates the Challenges of Telling a Confined Science Fiction Story
Despite a promising premise, the film becomes too defined by its limitations as opposed to its ability to tell a story within them.
'Stranger Things' Season 4 Leaves Joyce and Hopper Out in the Cold
Despite an otherwise strong season, David Harbour and Winona Ryder become utterly wasted in the isolation of Russia.
‘The Forgiven’ Review: Jessica Chastain and Ralph Fiennes Can’t Save This Misguided Morality Tale
John Michael McDonagh's latest has a great cast, but a superficial story.
How 'Clara Sola' Embraces Magical Realism to Show Its Protagonist's Journey
The line between reality and fantasy becomes incredibly hard to distinguish.
All The New Movies Coming to Streaming This Week: 'Rubikon,' 'The Princess'
From intellectual sci-fi to a self-aware action fairy tale, this week has something for everyone
'Westworld' Season 4: Why the Premiere's Time Jump Is What the Show Needed
By moving seven years into the future, the show's writers have freed themselves up to take the story into intriguing new directions.
How 'The Black Phone' Lives in the Long Shadow Cast by Stephen King
While all art draws from points of inspiration, this derivative horror film from Blumhouse ends up feeling creatively trapped in King's basement.
Alia Shawkat Steals the Show in 'The Old Man,' Rivaling Star Jeff Bridges
In the show's revelatory third episode, we see Shawkat steal every scene and make clear that her riveting character is one to keep an eye on.
Later, Luke: Why 'Star Wars' Should Move Beyond the Skywalker Saga
In an endless galaxy of stories just waiting to be told, it would be a mistake to let a single family lineage suck up all the oxygen of the series.
'Apples' Reveals the Mirth and Melancholy of Memory
Sad and silly in equal measure, Christos Nikou's debut feature takes us into a world where a pandemic has forever altered how we remember.
'Mind Over Murder' and the Dangers of Looking for Hero Figures in True Crime
Nanfu Wang's intriguing new true crime series challenges the genre by delving into the more complicated truths of the worst parts of our world.
'I Love That For You' Shows Vanessa Bayer Deserves More Roles Beyond 'SNL'
A comedic wrecking ball of chaos, Bayer deserves more characters to really sink her teeth into.
Is Sam Raimi's 'Doctor Strange in the Multiverse of Madness' A Horror Film That Will Scare Me?
This one is probably not for young kids.
'The Boys' Season 3: [SPOILER]'s Betrayal Shows How Absolute Power Corrupts
The Boys' latest betrayal may have some characters rethinking their actions in the very near future.
'Jerry & Marge Go Large' Shows Sometimes Truth Is Better Than Fiction
Even Bryan Cranston and Annette Bening can't save this superficial take on a far more interesting true story.
Forget 'Thor,' 'Spiderhead' Shows Chris Hemsworth Is Best When Playing a Villain
Move along, Thor, we're ready for Chris Hemsworth's villain era.
'The Old Man' Stands Out From Other Action Fare by Embracing Vulnerability
Jeff Bridges remains as sharp an actor as ever while capturing the vulnerabilities of his aged character.
'Official Competition': Antonio Banderas and Penélope Cruz Pull Off What Other Satires Can't
Strong performances make this film an uncompromising, comedic, and cathartic skewering of the industry it was born out of.